I Have to Be Good So I Can See My Baby Again

1961 song past Wayne Cochran

"Last Kiss"
Single by Wayne Cochran
B-side	"Funny Feeling"
Released	1961
Recorded	July 1961 (original version) 1963 (Macon, Georgia) (re-recorded version)
Studio	UGA Campus (Athens, Georgia) (original version)
Genre	R&B
Label	Gala (original version – 1961) King (re-recorded version – 1963)
Songwriter(s)	Wayne Cochran Joe Carpenter[1] Randall Hoyal Bobby McGlon

"Last Kiss" is a song released by Wayne Cochran in 1961 on the Gala label. It failed to do well on the charts.^[2] Cochran subsequently re-recorded his song for the King label in 1963. It was revived by J. Frank Wilson and the Cavaliers, Pearl Jam and several international artists, including the Canadian group Wed, with varying degrees of success. The song was one of several teen tragedy songs from that catamenia. The song's opening lyrics mirror the opening lyrics of Septimus Winner'south "Der Deitcher's Domestic dog".

Background [edit]

The vocal was supposedly based on the truthful story of Jeanette Clark and J.L. Hancock, who were both 16 years old when their car striking a tractor-trailer on a route in rural Barnesville, Georgia. The problem is that the song was recorded more than a year earlier the accident supposedly happened. Clark and Hancock were on a date a few days earlier Christmas in 1962. A local gas station attendant helping with the recovery of the bodies did not recognize his own daughter. Hancock and Clark's friend Wayne Cooper, who was riding with them, was killed instantly. Their two other friends, Jewel Emerson and Ed Shockley, survived with serious injuries. Wayne Cochran'south drummer had been dating Jeannette Clark's sis at the fourth dimension of the wreck. The vocal was written by Wayne Cochran, who lived on Route 1941 in Georgia, about xv miles from the crash site. It was a decorated route, and Cochran witnessed many accidents on information technology. He was working on a song based on all the crashes he saw, and was about halfway done with "Last Buss" when he heard well-nigh the wreck in Barnesville. There was an intense emotional response from the customs subsequently the tragedy, and Cochran used those feelings to end the song, which he dedicated to Jeanette Clark.

Lyrical content [edit]

The narrator borrows his male parent'southward car to have his girlfriend out on a date, and comes upon a stalled motorcar in the road. Unable to stop, the narrator swerves to the correct to avoid it, losing control and crashing violently in the procedure, knocking him and his girlfriend unconscious. The narrator later regains consciousness in the midst of a rainstorm, and finds several people at the scene of the accident. While partially blinded by the claret flowing from his injuries, the narrator is able to notice his girlfriend, even so lying unconscious. When he cradles his girlfriend lovingly in his arms, she regains partial consciousness, grinning and request the narrator to "hold me, darling, for a little while." The narrator then gives her the titular "terminal osculation" as she fades into death and enters the afterlife.

In the song'south chorus, the narrator vows to be a practiced person so that he may reunite with his love when his time comes, assertive she has made it into Sky.

Original version [edit]

By Wayne Cochran, Joe Carpenter, Randall Hoyal & Bobby McGlon (1961)

In the summer of 1961, four friends traveled to the University of Georgia in Athens, Georgia, to record a song Wayne Cochran had written, with Joe Carpenter, Randall Hoyal and Bobby McGlon, called "Last Kiss". Wayne Cochran (vocals), Joe Carpenter (guitar), Bobby Rakestraw (bass), and Jerry Reppert (drums) recorded the vocal for the Gala label, a pocket-sized characterization based in Vidalia. When the labels for the 45s, Gala #117, were printed, the names of co-writers Joe Carpenter, Randall Hoyal and Bobby McGlon were left off.^{[ citation needed ]} Cochran evidently never asked Gala to change the label, to include the other names; to this day Cochran is the only ane credited with writing "Terminal Kiss".

Cochran would go on to re-record the song for release on Aire Records (1962),^[iii] in a slightly different tempo, with some changes to the lyrics and for re-release on Male monarch Records in 1963. In all, Cochran recorded four versions of the song, the original, Gala #117, Boblo Records #101, Rex Records #5856, and Aire Records #150, released as "Last Kiss" b/w "Edge of the Ocean", with Cochran sharing vocals with an unnamed male vocalizer. The Aire disc was hands the nearly different version of all, with heavy reverb and a staccato drumbeat. Aire Records, located in Dublin, Georgia, credited the song to Perry Music, as did the Gala recording. The Boblo disc credited "Last Kiss" to Macon Music, while the Male monarch record cited Boblo-BMI. The Boblo record featured "Terminal Kiss 2" b/westward "Hey! Baby" (Boblo 101-A), produced by Bobby Smith, offering another take on the song, with different lyrics, a faster tempo, and different instrumentation. A fifth version of the vocal was cobbled from the Boblo recording, rechanneled for stereo, on Radical Musik Records, probably effectually 1973.

The original opens with the audio of a screeching crash, then the drums start, and the bass picks upward the beat out; in contrast, the final version sounds like a cross between a popular arrangement and a reggae recording. Cochran loaded 45s in the trunk of his car, taking them along to gigs, to sell to fans, although it didn't help much. Over the course of the iv versions, Cochran expanded his (and his co-writers') concept of the song, seeking a wider audience. Cochran would afterward go on to Miami, where he found moderate success playing nightclubs, with his band, CC Ryders. Jackie Gleason had Cochran on his television show several times. Cochran went into the ministry, in later years; he doesn't talk about his stone and ringlet years anymore.

On September 18, 1961, Billboard Music Week printed a review of the song "Terminal Kiss"^[four] and gave it three stars but said nothing about the song itself in the review. None of the records charted, failing fifty-fifty to accomplish the "Bubbling Under" level, although the tape was a local hit in Georgia, before information technology disappeared.

Billboard had kind words for the B-Side, in its review of "Last Buss" — giving four stars to the song chosen "Funny Feeling", on the flip side, written by Joe Carpenter and Milt "Pete" Skelton. The reviewer said, "Blues, chanted in relaxed style, with a funky guitar backing. Derivative but a good job."^[four] "Funny Feeling" didn't make an impression on disc jockeys, either.

J. Frank Wilson and the Cavaliers version [edit]

"Terminal Kiss"
Danish vinyl unmarried
Unmarried by J. Frank Wilson and the Cavaliers
from the album Last Buss
B-side	"That'southward How Much I Dearest Y'all"
Released	June 1964
Recorded	1964
Studio	Accurate Audio Co. (San Angelo, Texas)
Length	2:25
Characterization	Josie
Songwriter(s)	Wayne Cochran Joe Carpenter[1] Randall Hoyal Bobby McGlon
Producer(s)	Sonley Roush Ron Newdoll

"Final Kiss" came to the attention of record promoter Sonley Roush, a Texas promoter eking out a living, looking for the next big matter. Roush brought the song to a group that he booked around Due west Texas, the Cavaliers of San Angelo, with the proviso that singer J. Frank Wilson was still with the ring. Wilson joined the Cavaliers after his discharge from Goodfellow Air Force Base (San Angelo, Texas) in 1962, merely had left for a while, unsure of the hereafter. Credit should be given as well to Sid Holmes of San Angelo for founding the original Cavaliers band in c.1956. He afterward discovered J. Frank Wilson in the early 1960s and invited him to join the ring and did sign him. Holmes, a fine rockabilly guitarist, also taught hereafter Cavalier Lewis Elliott to play bass guitar, and also brought Jim Wynne into the band to play piano.

Sonley Roush would afterwards carve up the group to place lead singer Wilson with another musician or two. By this time Holmes had already left the group. Be that equally information technology may, J. Frank Wilson (vocalist), Gene Croyle (guitar), Roland Atkinson (drums), Lewis Elliott (bass), and Jim Wynne (pianoforte), along with Sonley Roush (manager/promoter) and Ron Newdoll (studio owner and engineer) were all present at Accurate Sound Recording studio in San Angelo effectually 1:00 pm in early August, 1964, when they made the tape that would bring them lasting fame. The band worked all afternoon on the song, recording it over and over, with few pauses, for three direct hours, until Roush was satisfied with take number 64. The record was kickoff released locally, on Le Cam Records (#722), and then on Tamara Records (#761), becoming a local striking. Somewhen released on Josie Records (#923), a subsidiary of semi-major characterization Jubilee Records, the record became a national hit in the autumn of 1964.

Released on September 5, 1964, Josie 923 spent 15 weeks on the charts, reaching number two on November seven, held out of the top spot past "Baby Love", the 2nd number 1 hit for The Supremes, which spent four weeks in the top spot. "Last Kiss" would spend 8 weeks in the top ten; the record selling over one million copies, and propelling the resulting album onto the album charts. The Le Cam #722-A disc running time is noted as 2m 14s, while both the Tamara Records #761 release and the Josie Records #923 platter have a fourth dimension of 2m 25s, an xi-second difference.

J. Frank Wilson and the Cavaliers had their outset and simply commercial success with "Last Buss". Their cover version reached the top 10 in Oct, staying for eight weeks. It eventually reached number two on the Billboard Hot 100 charts,^[5] and besides earned the ring a gold record. Roush took a reconstituted version of the band, J. Frank Wilson, Gene Croyle, Bobby Woods, Jerome Graham, and Phil Trunzo, on a brutal promotional tour, in back up of the record.

On a concert trip to Ohio, the ring had just left Parkersburg, Due west Virginia, heading to Lima, Ohio, for a operation at the Processed Cane Club. At about five:15 a.m., Roush evidently savage asleep at the wheel. The auto drifted across the centerline and rammed caput-on into a trailer truck. Roush was killed instantly, but Wilson, sitting in the front seat, and Bobby Wood (vocalist / piano) from Memphis, sitting in the back, both suffered serious injuries, including broken ribs and a broken ankle. Wilson went on with the tour, though, taking only a week off. People still remember him coming out on the stage on crutches to sing "Last Kiss" and "Hey, Little Ane". The accident had a curious event on record sales, nevertheless, pushing the vocal to number 2 (information technology had previously stalled at number 3) on the national charts.^[6]

The Last Buss album comprehend shows Wilson kneeling over the immature woman portraying the dying girl. Supposedly, starting time printings of the comprehend showed blood trickling downwardly the daughter's face, but it was air-brushed out by the record visitor for fear that alienating parents would limit sales of the album.

Wilson, with or without the Cavaliers, continued to record until 1978. He died on October 4, 1991, due to alcoholism caused past business organisation stresses and pain caused from his injuries in the car wreck. He was 49 years old.^{[7] [viii]}

Chart functioning [edit]

Wed version [edit]

"Last Osculation"
Single past Wed
from the album Last Osculation
B-side	"Without Y'all"
Released	November 1973
Genre	Pop
Characterization	Ampex
Songwriter(south)	Wayne Cochran Joe Carpenter[1] Randall Hoyal Bobby McGlon
Producer(s)	John Dee Driscoll
Wed singles chronology
"Hang On Girl" (1971) "Last Kiss" (1973) "Teen Angel" (1974)

In 1973, "Last Kiss" was covered by the Canadian group Midweek. Their version reached number 2 in Canada and number 34 in the United States. It is ranked every bit the 27th biggest Canadian hit of 1973.^[xv] Their version climbed up the charts very slowly, and spent three weeks longer on the American charts than the Cavaliers' much bigger hit.^[xvi]

As a result of the popularity of Wed's rendition, the Cavaliers' version was re-released (Virgo 506) at the end of 1973. It reached number 92 in January 1974, spending a total of five weeks on the Billboard Hot 100. The original hit version re-charted five weeks afterwards the version by Wednesday entered the charts.

Charts [edit]

Pearl Jam version [edit]

"Last Kiss"
Single by Pearl Jam
from the anthology No Boundaries: A Benefit for the Kosovar Refugees
B-side	"Soldier of Love"
Released	June 8, 1999 (1999-06-08)
Recorded	September 19, 1998
Studio	Constitution Hall (Washington, D.C.)
Genre	Alternative stone
Length	3:16
Label	Epic
Songwriter(due south)	Wayne Cochran Joe Carpenter[one] Randall Hoyal Bobby McGlon
Producer(s)	Pearl Jam
Pearl Jam singles chronology
"Wishlist" (1998) "Terminal Kiss" (1999) "Naught as Information technology Seems" (2000)

"Final Kiss" was likewise covered by American stone band Pearl Jam for the 1999 charity album No Boundaries: A Do good for the Kosovar Refugees.^[20] It would later appear on the group's 2003 rarities album Lost Dogs. This version was successful, specially in Commonwealth of australia, where it topped the ARIA Singles Chart for seven weeks. Information technology besides reached number one in Republic of iceland for six weeks and peaked at number two in the United States and Canada, making information technology the band'due south highest-charting single in either country.

Origin and recording [edit]

The idea to embrace "Last Kiss" came about after vocalist Eddie Vedder institute an sometime tape of the song at the Fremont Antique Mall in Seattle, Washington.^[21] He convinced the rest of the band to effort out the song and it was performed a few times on the band's 1998 bout. The band eventually recorded the vocal at a soundcheck at the Merriweather Post Pavilion in Columbia, Maryland in September of that year and released it equally a 1998 fan club Christmas single.^[22] The band spent only a couple of thousand dollars mixing the song.^[23] Bassist Jeff Ament said, "Information technology was the almost minimalist recording we've ever washed."^[24]

Release and reception [edit]

In 1998, the cover of "Final Osculation" began to be played by radio stations and was ultimately put into heavy rotation across the Usa. Past pop need, the cover was released to the public as a unmarried on June eight, 1999. The proceeds went to the aid of refugees of the Kosovo State of war.^[22] The cover was featured on the 1999 charity compilation album, No Boundaries: A Benefit for the Kosovar Refugees.^[25] The song helped earn virtually $10 one thousand thousand for Kosovo relief.^[23]

The cover would end up reaching number two on the US Billboard Hot 100, behind "If You Had My Dear" past Jennifer Lopez. This remains Pearl Jam'southward highest-peaking vocal on the Billboard Hot 100. It peaked at number four on the Top 40 Mainstream chart. The vocal reached number five on the Billboard Mainstream Rock Tracks nautical chart and number two on the Billboard Modern Rock Tracks chart. The "Last Kiss" unmarried has been certified gold by the RIAA.^[26]

Exterior the Us, the song reached number two on the Canadian RPM Top Singles nautical chart and became the ring'due south highest-charting song in Canada. It later charted on the RPM Rock Report, where it reached number four and stayed there for two weeks. In Europe "Last Osculation" reached number 42 in the Uk and number 77 in the netherlands. In Australasia, "Last Kiss" peaked atop the Australian ARIA Singles Nautical chart for seven weeks and became a top-twenty success in New Zealand. It also reached number ane in Iceland, staying at the summit for six weeks.

Christopher John Farley of Time said, "Information technology'south a spare, morose vocal with Vedder's vocalization warbling lovelorn over a straight-ahead pulsate beat. Going back to basics has put Pearl Jam dorsum on top."^[xx] Regarding the embrace, guitarist Stone Gossard said, "You tin can endeavor album later on album to write a hit and spend months getting drum sounds and rewriting lyrics, or you lot can become to a used record store and pick out a single and fall in dear with it."^[27] Pearl Jam included "Last Kiss" on the 2003 B-sides and rarities anthology, Lost Dogs, and on the 2004 greatest hits album, rearviewmirror (Greatest Hits 1991–2003).

Live performances [edit]

Pearl Jam start performed its cover of "Last Osculation" live at the band'southward May 7, 1998, concert in Seattle, Washington, at ARO.space.^[28] Live performances past Pearl Jam of "Last Kiss" can exist establish on diverse official bootlegs and the Live at the Gorge 05/06 box set.

Track list [edit]

1. "Last Osculation" (Wayne Cochran) – three:15
2. "Soldier of Love" (Fizz Cason, Tony Moon) – two:54
3. *Recorded live on September 19, 1998 at Constitution Hall in Washington, D.C.

Charts [edit]

Certifications [edit]

Release history [edit]

Other embrace versions [edit]

The song has a long tradition in Latin American popular music. The most popular version was recorded in 1965 by Mexican vocalizer Polo, (ex-fellow member of Los Apson) with the title of "El Último Beso" in Spanish translated by the Mexican Goggle box Director and tennis teacher Omero Gonzalez, this Castilian version has been covered by several bands: Los American's, Los Johnny Jets, Los 007, Los Doltons, also singers as Argentine Leo Dan, and the Colombian singers Alci Acosta (his recording became a striking in Colombia) and Harold Orozco [es] in 1967 likewise every bit José "Joseíto" Martínez in 1990, vocal with which he won a Congo de Oro in the Barranquilla Carnival.^[60] Mexican singer-songwriter Gloria Trevi released her version of the vocal in 1989, peaking at number 36 on the Billboard Hot Latin Songs chart.

During the late 1970s, "Last Kiss" was covered by the Asparagus Valley Cultural Order and was also sometimes performed as the encore to their prove.^[61]

In 2011, Trent Dabbs recorded a cover of "Last Kiss" for the hit tv series The Vampire Diaries in Season ii, episode 18: "The Final Dance".

Meadow Ryann covered this on her debut cover anthology, Wings.

Cœur de Pirate covered the song for the soundtrack of the 2014 season of the Canadian Tv show, Trauma.

References [edit]

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Source: https://en.wikipedia.org/wiki/Last_Kiss

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